Recepción del sistema Stanislavski en España entre 1960 y 1980

Resum

Since the System Stanislavski became widely established in various parts of the world, it has been object of countless studies and analysis. In Spain has been investigated especially its arrival through the director and American pedagogo William Layton; and however, there are many other points of view on the work of the Russian director, as those that find in Argentinian directors, actors and teachers in the mid-1960s. To this it is necessary to add the vision that Ángel Gutiérrez brings, who in the 1970s went back to Spain from Russia, where he learnt the System Stanislavski from the disciples themselves of the Russian director. We therefore review, the entrance in Spain of the educations of Stanislavski by three ways: the American, the Argentine, and the Russian. Regarding the professional context in Spain, we studied how, in hardly twenty years, the theatrical training undergoes an important change from a scarce and little evolved developed pedagogical offer, to the possibility to training with very different directors who have as a pillar of their works the Stanislavski System. We identify how all these novelties were received by the Spanish actors through theirs statements and interviews of the period.