Lengua, recuerdo, patriael retorno al pasado en Engste Heimat de Erica Pedretti

  1. Silos Ribas, Lorena 1
  1. 1 Universitat de Barcelona
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    Universitat de Barcelona

    Barcelona, España

    ROR https://ror.org/021018s57

Aldizkaria:
Revista de filología alemana

ISSN: 1133-0406

Argitalpen urtea: 2010

Zenbakien izenburua: Sincronías en el pasado... diacronías en el presente. Estudios literarios

Zenbakia: 3

Orrialdeak: 273-281

Mota: Artikulua

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Laburpena

In the shadow of the conflict that devastated the Balkans during the nineties, the Czech born Swiss writer Erica Pedretti made an essential review of the events that forged the destiny of the German population in the provinces of Moravia and Bohemia after the Second World War, joining the debate on the problem of materialising memory as image in the written text. Returning to the past and the dialogue between memory and its image in the present are recurring themes in Pedretti’s narrative, although Engste Heimat is an especially significant example, both for the moment in history when the novel was written and for its interesting narrative structure.

Erreferentzia bibliografikoak

  • VÁCLAVEK, L. E. (ed.), Mährische deutschsprachige Literatur. Eine Bestandaufnahme. Olomouco: Univerzita Palackého v Olomouci 1999, 9-15.
  • HAVEL, V., The Art of the Impossible: Politics as Morality in Practice. Nueva York: Alfred A. Knopf 1997, p. 72.
  • PEDRETTI, E., Engste Heimat. Frankfurt: Suhrkamp 1995, p. 68.
  • PEDRETTI, E., Harmloses, bitte. Frankfurt: Suhrkamp 21972, p.8.
  • TOPOL’SKÁ, L., “Erica Pedretti und ihr Roman vom Erinnern und Vergessen” en: TOPOL’SKÁ, L. /
  • PEDRETTI, E., “Schauen/Schreiben. Wie kommt das Bild zur Sprache”, Neue Zürcher Zeitung (9 de marzo de 1996).
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