“El desdichado era poeta”la caricatura del mal dramaturgo en «El coloquio de los perros» de Miguel de Cervantes

  1. Brioso, Héctor 1
  1. 1 Universidad de Alcalá
    info

    Universidad de Alcalá

    Alcalá de Henares, España

    ROR https://ror.org/04pmn0e78

Revista:
Arte Nuevo: Revista de Estudios Áureos

ISSN: 2297-2692

Año de publicación: 2020

Número: 7

Páginas: 1-39

Tipo: Artículo

DOI: 10.14603/7A2020 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Arte Nuevo: Revista de Estudios Áureos

Resumen

This article examines the satirical image of the playwright in Cervantine caricatures, because their author is the most conspicuous representative of the theatrical opposition to Lope de Vega, or of the frustrated competition against him, but also because of Cervantes’ constant references to amateur playwrights, in different tones and with some authobiografical and authocritical projections that oscilate between satire, compassionate condescension, and a kind of collegial empathy. In order to examine them, we explain the sources and meaning of these caricatures, that often appear nuanced, or that have a discreet and kind tone. Among them we underscore the caricature Cervantes included in the exemplary novel «El coloquio de los perros», because it dates approximately from the years of Don Quijote and because it shares with the latter some elements that appear in passages where characters debate about the nature of theater in the period.