Conexiones filiales y transversalidades femeninasBelén Moneo Feduchi, Marisa Sáenz Guerra y Cristina Vallejo Llopis

  1. Hervás y Heras, Josenia 1
  2. Blanco-Agüeira, Silvia 2
  1. 1 Universidad de Alcalá
    info

    Universidad de Alcalá

    Alcalá de Henares, España

    ROR https://ror.org/04pmn0e78

  2. 2 Cesuga-Universidad San Jorge
Journal:
Res Mobilis: Revista internacional de investigación en mobiliario y objetos decorativos

ISSN: 2255-2057

Year of publication: 2021

Issue Title: Connections. III Ibero-American Congress on the History of Furniture

Volume: 10

Issue: 13

Pages: 391-413

Type: Article

DOI: 10.17811/RM.10.13-2.2021.391-413 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Res Mobilis: Revista internacional de investigación en mobiliario y objetos decorativos

Abstract

These creative women with filial attachments as well as professional linkages between the architecture and the world of design will enable us to analyse the temporal, aesthetic and material connections produced in an environment of close familiarity with the world of avant-garde furniture and interior design in Spain. In the case of Belén Moneo, we must indicate that in collaboration with Jeff Brock, she has cooperated in Rafael Moneo's intervention at the Museum of Modern Art and Architecture in Stockholm (1991/98). On her side, Marisa Sáenz Guerra and her brother Vicente, also had the privilege of working with Francisco Javier Sáenz de Oíza on various projects and construction management. Lastly, Cristina Vallejo Llopis has collaborated with her father in the project management of several buildings, but her closest connection with her father is settled in the Almería chair (1959), a string furniture made of metal structure and esparto grass.

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Data source: Dialnet