Venganza femenina y oriental en la música de Los amantes de Teruel de Hartzenbusch (1806-1880)

  1. Marina Barba Dávalos 1
  1. 1 Universidad de Alcalá
    info

    Universidad de Alcalá

    Alcalá de Henares, España

    ROR https://ror.org/04pmn0e78

Journal:
Nassarre: Revista aragonesa de musicología

ISSN: 0213-7305

Year of publication: 2021

Volume: 37

Issue: 1

Pages: 129-147

Type: Article

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Abstract

The discovery of the music of Los amantes de Teruel by Juan Eugenio Hartzenbusch allows us to contemplate this romantic drama from a global perspective. The only musical moment of the play is located at the point of maximum dramatic intensity and features Zulima, one of the female characters which Hartzenbusch introduced to the legend of the lovers of Teruel. The music reinforces the pleasure of revenge that emanates from the author’s verses while reflecting, with subtlety and delicacy, the oriental origin of Zulima.

Data source: Dialnet