Idrissa Ouedraogo, un cineasta en búsqueda de la humanidadel equilibrismo entre el compromiso y el espectáculo en el cine de autor africano

  1. Gutiérrez Sánchez, Julia Sabina
Revista:
Comunicación: revista Internacional de Comunicación Audiovisual, Publicidad y Estudios Culturales

ISSN: 1989-600X

Any de publicació: 2023

Títol de l'exemplar: Monográfico sobre cines africanos

Volum: 21

Número: 2

Pàgines: 74-82

Tipus: Article

DIALNET GOOGLE SCHOLAR lock_openIdus editor

Altres publicacions en: Comunicación: revista Internacional de Comunicación Audiovisual, Publicidad y Estudios Culturales

Resum

The acclaimed Burkinabé filmmaker, Idrissa Ouedraogo, has left an indelible mark on the African cinematic landscape. With a career spanning over three decades, his body of work has consistent-ly reflected the intricacies of life, culture, and society in Africa. This scholarly article delves into the life and legacy of Idrissa Ouedraogo, shedding light on his contributions to the world of cine-ma and his enduring influence on African storytelling. Focusing on the controversy that emerged following the release of Yaaba, we will explore various facets of his work, including his emphasis on entertainment as opposed to politically charged cinema, his contribution to the diversity of African filmmaking, and his distinctive style and impact on the art of cinematography

Referències bibliogràfiques

  • Andrade-Watkins, C. (1992). Reviewed Works: Wend Kuuni Gaston KaboreZan Boko Gaston KaboreYaaba by Freddy Denaes, Pierre-Alain Meier, Idrissa Ouedraogo; Tilai Idrissa Ouedraogo. The American Historical Review, 1143-1146. https://doi.org/10.2307/2165499
  • Barlet, O. (2018). The huge contribution to cinema of Idrissa Ouedraogo. African Studies Review, 61(3), 181-190 https://doi.org/10.1017/asr.2018.68
  • Harrow, K. (2018). In celebration of Idrissa Ouedraogo (1954-2018). African Studies Review, 61(3), 178-181. https://doi.org/10.1017/asr.2018.72
  • Luhmann, N. (1992). What is communication? Communication Theory, 2(3), 251-259. https://doi. org/10.1111/j.1468-2885.1992.tb00042.x
  • Matthews Green, M. J. (2005). Questioning African cinema: conversations with filmmakers. South Central Review, 22(2), 141-143. https://doi.org/10.1017/asr.2018.70
  • Nagib, L. (2017). Yaaba, cinefilia e realismo sem fronteiras. Revista África(s), 4(7), 61-70.
  • Pfaff, F. (1992). Five West African Filmmakers on Their Films. A Journal of Opinion, 31-37. https:// doi.org/10.2307/1166989
  • Tcheuyap, A. (2018). Against the “one Cinema system”. Idrissa Ouedraogo and the invention of contemporary african films. African Studies Review, 61(3), 201-206. https://doi.org/10.1017/ asr.2018.75
  • Tchouaffe, O. J. (2018). Rituals of illumination and elective affinity in Idrissa Ouedraogo’s cinematic legacy. African Studies Review, 61(3), 19-201. https://doi.org/10.1017/asr.2018.70
  • Teno, J. M. (2018). Farewell my friend! African Studies Review, 61(3), 209-211. https://doi. org/10.1017/asr.2018.74
  • Thackway, M. (2018). The world should be open to film: an Interview with Idrissa ouedraogo. African Studies Review, 61(3), 191-193. https://doi.org/10.1017/asr.2018.71
Fuente de los datos: Dialnet