Prayaag Akbar’s "Leila" and Margaret Atwood’s "The Handmaid’s Tale"A study on dystopian intersections

  1. Elices Agudo, Juan Francisco 1
  1. 1 Universidad de Alcalá
    info

    Universidad de Alcalá

    Alcalá de Henares, España

    ROR https://ror.org/04pmn0e78

Revista:
Journal of English Studies

ISSN: 1576-6357

Año de publicación: 2023

Número: 21

Páginas: 19-34

Tipo: Artículo

DOI: 10.18172/JES.5548 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Otras publicaciones en: Journal of English Studies

Resumen

El momento histórico tan turbulento que vivimos en la actualidad parece haber estimulado la producción de un sinfín de narrativas distópicas, que giran en torno a una gran variedad de temas. La publicación de The Handmaid’s Tale de Margaret Atwood, cuya versión televisiva se ha convertido en uno de los grandes éxitos de esta última década, se considera un nexo de unión entre las distopías clásicas de Zamyatin, Huxley y Orwell y las últimas novelas que se han editado en este campo, entre las que Leila de Prayaag Akbar destaca por su originalidad. El presente trabajo, que parte de algunos de los mejores estudios de la obra de Atwood y de la narrativa especulativa producida en India, trata de profundizar en las intersecciones que se pueden observar entre la obra maestra de la autora canadiense y la opera prima de Akbar. Este estudio analiza los tropos distópicos sobre los que se articulan las dos novelas, con especial interés en cuestiones relacionadas con la manipulación del pasado y la realidad constreñida y angustiosa a la que se tienen que enfrentar las dos protagonistas.

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Fuente de los datos: Dialnet